The tone system of Poko-Rawo (Skou)
DOI:
https://doi.org/10.3765/pda.v3art1.54Keywords:
tone, Papuan, Skou, typologyAbstract
This paper describes the tone system of Poko-Rawo, a Skou language spoken in northwestern Papua New Guinea. The system displays a number of points of interest to tonal typology, including: a distinction between underlying specified Mid tones and M tones filled in by default; a dispreference for single-toned melodies; a preference for rising tones rather than falling tones; and strict alignment of Low and High tones, with L always initial and H always final in a melody. These alignment principles extend to floating tones, as floating L is always to the left of a stem and floating H always to the right. We provide a detailed description of underlying melodies, postlexical processes, and phonetic realization of tone in Poko in an effort to bring more Papuan data to bear on questions of tonal typology.
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Copyright (c) 2021 Laura McPherson, Matthew S. Dryer
This work is licensed under a Creative Commons Attribution 3.0 Unported License.
Published by the LSA with permission of the author(s) under a CC BY 3.0 license.